Round rock dating
The archaeological sub-discipline of rock art studies first developed in the late-19th century among Francophone scholars studying the Upper Palaeolithic rock art found in the cave systems of Western Europe.
Rock art continues to be of importance to indigenous peoples in various parts of the world, who view them as both sacred items and significant components of their cultural patrimony.
There are three forms of this; the first involves covering the hand in wet paint and then applying it to the rock.
The second involves a design being painted onto the hand, which is then in turn added to the surface.
The third involves the hand first being placed against the panel, with dry paint then being blown onto it through a tube, in a process that is akin to air-brush or spray-painting.
The resulting image is a negative print of the hand, and is sometimes described as a "stencil" in Australian archaeology.
In archaeology, rock art is human-made markings placed on natural stone; it is largely synonymous with parietal art.
Alternately, the pigment could have been applied on dry, such as with a stick of charcoal.Red paint is usually attained through the use of ground ochre, while black paint is typically composed of charcoal, or sometimes from minerals such as manganese.White paint is usually created from natural chalk, kaolinite clay or diatomaceous earth.Some archaeologists also consider pits and grooves in the rock, known as cups, rings or cupules, as a form of rock art.
Rock art serves multiple purposes in the contemporary world.As such, images taken from cave art have appeared on memorabilia and other artefacts sold as a part of the tourist industry.